Briefed, matched and booked in days
We manage the channels, so there is no cold outreach and no six weeks waiting on a business inbox.
We manage a roster of YouTube creators with millions of subscribers between them. Brands get direct access to that roster, a 60 to 90 second integration inside videos their buyers already watch, and a report in orders rather than impressions.
Every integration tracked to its own discount code and link.
Includes paid promotion
Includes paid promotion
Includes paid promotion
Channels we represent directly, the categories where an audience actually buys, and the brands we have already placed inside them.
We manage the channels, so there is no cold outreach and no six weeks waiting on a business inbox.




























combined subscribers across the roster. The average channel sits between 250,000 and 4 million.
The majority of watch time across the roster sits in the markets that convert for e-commerce.
creators under management, across twelve product categories.
Long-form integrations, Shorts and dedicated videos.
We represent these channels directly, so a slot gets booked in days. You get the creator, the integration and the numbers from one place.
Includes paid promotionWe already manage these channels, so a slot gets booked in days rather than chased for weeks. We match you on what an audience actually buys, and tell you which of our creators we would not put you in front of.
See the rosterA 60 to 90 second read dropped into the middle of a video, in the creator's own words, to an audience that chose to be there. Scripted with you, approved before filming, and licensed so you can run the footage as paid creative.
Learn more
Includes paid promotionA unique code and a tracked link in the description box of every video, with usage rights agreed upfront. You see what each integration sold, not what it reached.
Learn moreA placement on its own is a lottery ticket. Every integration we book runs through the same system, so the audience that watches is an audience that buys, and you can prove which part did the work.
A single slot inside a video an audience chose to watch. Everything below is built around making that slot convert.
Median views on recent uploads, audience fit, and who has sponsored them before.
The hook and the permitted claims agreed and signed off before anyone films.
Sixty to ninety seconds in the creator's own words, where retention is highest.
The same read recut vertically, so one shoot covers long-form and Shorts.
A unique code per channel and a link in the description box of every upload.
Orders tied back to the exact video, so views turn into a revenue number.
The curve across the integration, showing whether the audience actually stayed.
A straight call on every channel once the numbers land, then we run it again.
We do not buy you pre-roll inventory. We put your product inside the video itself, which changes almost every variable that matters.
| YouTube pre-roll | A Proof of Views integration | |
|---|---|---|
| Where it sits | Before the video, skippable at five seconds | Inside the video, in the creator's own words |
| Who sees it | Whoever the auction serves that day | An audience that subscribed to that channel |
| Price set by | A real-time auction that only moves up | A fixed slot rate, negotiated once |
| Shelf life | Stops the moment the budget stops | Keeps converting while the video is up |
| What you get back | Impressions and view-through rate | Orders, revenue and cost per order |
Anyone can get your product into a YouTube video. The reason brands stay is that they can finally tell which channel sold something and which one only got watched.
% of viewers still watching
| Creator | Views | Code clicks | Orders | Revenue | Cost per order |
|---|---|---|---|---|---|
| Creator A | 412,000 | 9,840 | 486 | $32,710 | $19.80 |
| Creator B | 180,500 | 5,210 | 301 | $20,260 | $22.10 |
| Creator C | 96,300 | 3,470 | 288 | $19,390 | $20.40 |
| Creator D | 240,100 | 4,015 | 209 | $14,060 | $28.70 |
| Total | 928,900 | 22,535 | 1,284 | $86,420 | $21.40 |
Four to eight weeks from brief to attributed revenue. Creators film in batches and the good ones are booked a month out, so the calendar is the constraint, not the creative.
We rank candidates on median views across their last ten uploads, what the comments say about buying in your category, and how often past sponsors came back. Follower count is not in the model, because it does not predict revenue.
We write the brief, agree the hook and exactly which claims are permitted, and read the script pre-production. A compliance problem caught at script stage costs nothing. The same problem caught after upload costs the whole placement.
One discount code and one tracked link per creator. Thirty days post-upload you get orders, revenue and cost per order broken out by placement, the retention curve across the read, and a rebook or drop call on every creator.
The integration is the centre of it. Around that, we run the parts that usually eat a marketing team's week.
YouTube integrations with creators we represent — shortlist, rate, brief, script approval and upload.
A whole flight run end to end: calendar, creative direction, approvals, go-live and one report at the end of it.
Representation for creators. We bring the inbound, hold the rate, paper the deal and chase the payment.
Paid usage rights on the integration footage, agreed upfront, so the best-performing read becomes your ad creative.
Product-led clips shot by creators from the roster and cut for paid social, separate from the YouTube placement.
Product into the right hands ahead of a launch, with VIP lists built by category rather than by follower count.
Deliverables, exclusivity windows, disclosure and usage terms written into every deal before anyone films.
Which creators, how to split the budget, and what a realistic cost per order looks like in your category.
Marketing leads who stopped buying reach and started buying tracked orders.
We had written off creator marketing after two agencies sent us view counts and called it a report. In our first quarter here we tracked 1,284 orders back to specific videos. Being able to see which creator caused them changed how we budget.
Our Meta cost per acquisition had climbed six months straight. Creator placements came in well under it, and the licensed raw footage is now the best performing paid creative we run.
They turned down two creators we were excited about and showed us the retention data behind the call. First agency that has ever argued us out of spending money, which is exactly why we are still with them.
Three of our creators now re-book us every quarter without us asking. That never happened when we were cold-emailing channels ourselves and hoping someone replied.
The retention curve was the thing that sold our board. Watching the graph stay flat through a ninety second read made the case far better than any slide we could have built.
We briefed on a Monday and had a slot confirmed by Thursday. Our previous agency took five weeks just to get a channel to answer an email.
Where our creators already have an audience that buys physical products.